Design Story — The S925 Silver Bangle, Wound by Hand
This cuff sits where two goldsmith traditions meet: the open C-shape frame that has anchored the bangle form for decades, and the wire-wrap technique workshops revived for one-of-a-kind statement pieces. The frame is solid 925 sterling silver, cut and polished to a soft satin finish. Around it a single bench jeweler winds one continuous 0.8 mm silver coil — the same gauge goldsmiths use for filigree work — alternating rhodium-plated and 18K gold-plated winds so the surface reads as woven gold-and-silver thread instead of two separate finish zones.
The winds run in roughly a two-to-one ratio of white to gold, so the cuff reads predominantly as bright silver with gold woven through it rather than as a half-and-half split. Because the coil is continuous, there is no join to catch on clothing and no visible start or stop point — the wrap simply ends where the jeweler finished it.
The difference from a stamped sheet-metal cuff is surface depth. Rather than a flat pattern pressed into thin silver skin, the wrap carries physical relief that catches and refracts light from every angle. Run a thumbnail across it and you feel individual winds — that texture is the design, not a finish printed onto flat stock. The C-shape gap is deliberate: the frame springs open by 0.5 to 1 cm to take a 15.5–17.5 cm wrist without a clasp or hinge, and the spring tension holds through normal wear.



























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